Showing posts with label Fiction. Show all posts
Showing posts with label Fiction. Show all posts

Wednesday, October 24, 2012

Dweeb Loneliness


Love, Philosophy & Hawking Radiation - A Websnacker Exclusive

I felt that what I was writing was wrong for this weather; I did not want to write of being alone. I wanted to write of meeting a woman, and we are necessarily alone on bicycles, even on tandems, so the trail was the wrong venue for the approaching storm. I wanted to be walking over grass toward a dim silhouette I had arranged to meet, an accidental Usenet reencounter with a childhood friend I never actually had. I wanted her to step out from under the tree she had been leaning on, so we could see each other more clearly, but it wouldn't help, because there was so little light; so we would walk toward each other over the grass, each wondering whether the other was the one we wanted. We would stop at two arms' lengths apart, and, studying each other's stranger faces, recognize not so much their features as a pathway to a memory we had not known still there, a pathway to a past thought lost. I have stumbled on such pathways from time to time down the years, and always am astonished at how much, forgotten, is remembered. 

She would be too. We would see each other's shock of memory simultaneously. There would be no rituals; we were not the type even to shake hands. She would have worn no makeup, not knowing or caring that I think this best. I always dress like a tramp; she too. Even that we then would smile together would not be to communicate; the smiles would each be private things, each smiling to ourselves at this rediscovery. 

We would walk at random over the grass, under the night overcast, through the smell of coming rain. No asking, just telling, what we now remembered, what we had done, what we had become. This would seem to satisfy; there is so much to tell about a life. The disjoint sentences we would trade would bring each happy speaker back to unshared ancient memories. 

Her arm would brush mine accidentally, and I would betray no hint of how this felt to me. At the next accident I would sneak a glance at her open grinning stare, put my arm around her waist, and she would respond in kind. We would try hard to understand each other's words, each other's memories. But memories are always private things. The astonishment of rediscovery is private, because each neural net is locked inside its skull. We would know that we were failing to communicate. The first big isolated drops of rain would fall by chance where tears might fall. 

There are abstractions though. These we can share. We would learn that we shared some already, having thought some problems through in the same way. Mathematics, logic, software: there is often beauty in these things. But if that were all we had to share, we could have shared it on the Internet. We had more to share: we felt it in the touching of our walking hips. 

So to philosophy, and the discovery that we each knew, we each already knew, the hopelessness of the attempt. Life, the memories of life, the rich detail of life, the precious peak experiences - gazing down from a high hill onto a placid river under a double rainbow--these memories go into our minds, and therein they are locked for far too short a time, and then are gone forever from the universe. These memories are what we cannot share. Sex is the closest sharing that we ever do, and it is nothing. Standing face to face under the accelerating rain, we pressed our groins together, and gripped each other's shoulders held apart, and stared into each other's shadowy faces with eyes as alien as asteroids.

We were both atheists, and both knew this would never change; our science knew the world too well for supernatural respite. The rain falls hardest a few minutes after it starts. It soaks our hair, it soaks our clothes down to our skins, we feel it trickling down our bare clothed skins. The sound of rainfall drowns out everything. A brilliant fork of lightning to my left illuminates each droplet on her face and is reflected in her corneas. The image is symmetrical for her. The thunderclap is instantaneous. 

This is Zeus at his literary best, trying with his thunderbolts to be a writer. And his team is on stage with him: that drenching downpour is a perfect setup for some Dionysian epiphany. But the gods have nothing to say! In the instant of illumination we see in each other's faces that we have thought our way from thought to thought to the same conclusion: this bony cage has no escape. We die incommunicado. The physics of Heraclitus and the physics of Hawking are similar enough that the difference makes no difference. We have made the same deductions, thinking our separate ways to utter hopelessness. Thought annihilates all meaning. Only, older than physics is biology, and hope can be defined not by belief but by behavior...

Ahhhhhh, that is no country for old men. There was no woman, just a storm. I was a cyclist on the trail. The linear trail, narrow, private, stroboscopic, soundless but for thunder, treads, and rain, anonymous, where each moving darkness is alone even passing other moving darkness in the dark, that is the country of my mind. We are each a black hole of mind. Life can never get back out. Words, the richest prose, the densest poetry, are only Hawking radiation. Will Mengarini

Sunday, June 12, 2011

Donnie Darko 2001 (+ Directors Cut)


Richard Kelly’s Inventive Exercise in Surreal Teen Angst

I just finished reading Richard Kelly’s “The Donnie Darko Book, a fascinating addition to the inventive 2001 time travel cult hit - Donnie Darko. The magnetism of Donnie Darko which originally saw a very limited theatrical release but a subsequent fantastic run on DVD and Cable, lies not really in its focal stars – Jake Glyllenhaal, real life sister Maggie Glyllenhaal or Jena Malone (who plays Rocket in Zack Snyder’s Sucker Punch) nor in its hypnotic subtle special effects, serviceably effectual as they may be. Although, we have to admit Patrick Swayze's turn as a slimy motivational speaker is wickedly genius, easily his best performance since Point Break, the Kathryn Bigelow directed Keanu Reeves smash hit)

No, Donnie Darko simply works because it's completely original even with its sci-fi undertones. Its portrayal of late-1980s suburban American disquiet and crippling teenage perplexity is so authentic that a talking six-foot tall metal-faced rabbit named Frank is rendered only slightly less than completely plausible.

Donnie Darko succeeds because of first-time writer/director Richard Kelly’s (who went to make the equally surreal Southland Tales) complex script, which - at once candidly determined, mournfully delicate and strikingly intelligent - is also wise enough to make Donnie's parents caring and insightful, knowing that need not preclude the troubled kid from hating them. It works because Jake Gyllenhaal (in one of his best performance since October Sky and Bubble Boy) brings a restrained, tormented charm to the primary character of Donnie. And not to mention and this is the aspect that will haunt you afterwards - the stellar music of Michael Andrews and the befitting 80’s new wave soundtrack including "Mad World", the haunting No.1 Gary Jules piano-driven cover hit of the Tears for Fears single.

By portraying so honestly the time in which it’s set, Donnie Darko captures a dreamlike world of feeling and detail that transcends time, which is what the movie is all about in the first place. Or is it?

Present below are Video links to the original version and the extended Director's Cut which was released in 2004.

Free Streaming/Download Avi Links :

Donnie Darko (2001) Original Version : VeeHD or StageVu
Donnie Darko (2004) Directors Cut : VeeHD or StageVu

Gary Jules : Mad World (Tears For Fears Cover) : Youtube Video

Sunday, March 27, 2011

Thief (1981) Soundtrack - Tangerine Dream


Tangerine Dream at its Vintage Best + OST/Movie Links

Apologies for the long hiatus. It’s all been work, more work and even more work – not that I am getting any richer, just that making money is getting more arduous these days but that’s an entirely different story so let’s focus on the more pleasant things in life.

So what better way to break my blogging jinx than listening to an incredible soundtrack of an equally brilliant film? I am referring to Michael Mann’s Cannes’ (Golden Palm nominated) mainstream debut – the 1981’s noirish crime thriller “Thief”. An intense look at a world few have ever known -- where lives are in an almost constant state of jeopardy, a dark world in which James Caan plays an ex-con who's desperately trying to pull his jumbled life back together. And who should know about those perilous shady worlds better than Miami Vice/Silence of the Lambs creator Mann? Co-starring Tuesday Weld, Willie Nelson besides James Belushi, Robert Prosky, Dennis Farina and William Peterson (in their film debut)

Produced by Jerry Bruckheimer and based on the bestselling novel “The Home Invaders” by real-life jewel thief – John Seybold who wrote it under the pseudonym "Frank Hohimer", this movie (initially called Violent Streets) features splendid performances from all its leading stars particularly Caan and Prosky, breathtaking night cinematography, an intricate attention to detail (both typical Mann trademarks) and an impressive hit soundtrack by the German electronic trio of Edgar Froese, Christopher Franke and Johannes Schmoelling, more popularly known as Tangerine Dream.

For some strange reasons (believe it or not), Thief’s soundtrack was nominated for 1982’s Razzie Award for the Worst Musical Score but that should not deter you from listening to it. It’s a rare, hard to find filmscore featuring Tangerine Dream at its vintage best - with twanging guitars, buzzed up synthesizers, thumping percussion and a whole medley of other electronic sound gear that all beautifully meld with the movie’s storyline.

Released in 2 different versions - one originally featuring Tangerine Dream alone and the other featuring additional compositions by Craig Safan, both these soundtracks are considered rarities now. Present below are download links to both the versions that I have segregated for your listening pleasure. It isn’t 100% accurate though but I hope I have done justice to the original listings. And if you have never seen this outstanding movie yet, I have also added DVDrip video download/streaming links. Enjoy!

Thief OST - Original Version
8 tracks in playlist, average track length: 4:46
Playlist length: 38 minutes 8 seconds

1. Tangerine Dream - 01 Beach Theme (San Diego Beach Love Scene) (3:44)
2. Tangerine Dream - 02 Dr. Destructo (3:17)
3. Tangerine Dream - 03 Diamond Diary (Tailed/The Break-In) (9:58)
4. Tangerine Dream - 04 Burning Bar (Sam's Forge) (3:10)
5. Tangerine Dream - 05 Scrap Yard (Chicago Courtroom) (4:38)
6. Tangerine Dream - 06 Trap Feeling (2:57)
7. Tangerine Dream - 07 Igneous (Metascore) (4:48)
8. Craig Safan/Tangerine Dream - 08 Confrontation (5:36)

Thief OST - Alternate Version/Extras
12 tracks in playlist, average track length: 5:51
Playlist length: 1 hour 10 minutes 20 seconds

1. Tangerine Dream - Main Titles/The Heist (10:47)
2. Tangerine Dream - Frank Is Set Up (4:30)
3. Tangerine Dream - Chicago Courtroom (5:18)
4. Tangerine Dream - Tailed / The Break-In (4:46)
5. Tangerine Dream - Beach Theme [Alternate 1] (6:11)
6. Tangerine Dream - Beach Theme [Alternate 2] (6:47)
7. Tangerine Dream - Destruction (4:12)
8. Craig Safan/Tangerine Dream - Confrontation (4:12)
9. Tangerine Dream - Diamonds & Dust (9:06)
10. Tangerine Dream - Diamonds & Dust (Berlin Encore 81) (6:12)
11. Tangerine Dream - Diamond Diary (Live Warsaw 97) (3:01)
12. Tangerine Dream - Labeo (5:18)

Free MP3 Download – Zipped Folders

1. Original Version - 56.06 MB – Megaupload link
2. Alternate Version - 98.68 MB - Megaupload link

THIS IS A NON-COMMERCIAL DOWNLOAD. IF YOU LIKE TANGERINE DREAM, PLEASE BUY THEIR ORIGINAL MUSIC & PROMOTE THEM

You can buy original CDS/DVDs and Mp3s of Tangerine Dream at their website or emusic, amazon, itunes, other online stores or your nearest music and movie retailer

Movie DVDRIP Download/Streaming Weblinks - Megaupload, Stagevu or VeeHD

Thursday, February 3, 2011

February's Essential Reading - Blast from the Past

9 Awesome Books to Read from the 90s I guess!

Strip Tease - CARL HIAASEN
This may have been a really awful movie to remember, except for Demi Moore's title act for which she was apparently paid $12.5 million but the book by Carl Hiaasen on which it was based, is one helluva fun. With a snappy story line of corrupt politicians, vain TV reporters, grumble cops and a heroine to good to be true, Striptease is a virtual teaser, especially its hard-edged satire on American politicians. Incidentally, Striptease the movie was a colossal box office and critical failure and also won the Golden Raspberry Award for the 1996's Worst Picture of the Year.

Fullalove - GORDON BURN
A tender sentimental title, an innocent photograph of a cuddly toy puppy and you would think it to be a rosy children's novel. But just after a few pages of reading and it's clear Burn's no hold's barred tale of a blacked-out tabloid hero who covers serial killings and child snatchings is the last thing you would want your kids to snuggle up next to their beds. Burn, who was also an award-winning columnist for Esquire and Rolling Stone, conjures up a veritable blood bath with Norman Miller, the hero criss-crossing crash sites, visiting hospitals and mass murderers. By the time, you reach the end, you are a drained-out, sensitized zombie yourself, Read "Happy like Murderers" too, also by Burn if you like this one.

Vurt - JEFF NOON
Too beautiful for bikers, too harsh for hippies wrote the New Statesman when Noon's debut hit the Sci-Fi markets in 1994. And it sure hit hard. Vurt was not only voted the science fiction novel of the year but also won the prestigious Arthur C. Clarke award. No achievement this, when you compare the fact that Noon was competing against the usual Sci-Fi biggies like Gibson and Asimov. Vurt is a Sci-Fi surprise, no gang-bang Star war adventure but a move down to earth setting in near future Manchester and a plot that creeps up to a superb climax. If you haven't read it until now, go grab it even if you don't like menacing Aliens and organic galaxies.

Bombay Talkie - AMEENA MEER
When we think of life in India, two clichés come to mind. The first of chicken tikka, snake charmers, bullock carts and women in colorful saris, the second is the bleeding image of a growing densely populated country trying to come in terms with BPOs, atom bombs, Aids and corruption. Ameena Meer's bold debut blows the lid of these stereotypes with a insiders look of wannabe twenty some thing Indians struggling to make it big in a brave new world where east meets west with interesting consequences. Meer's debut packs enough ethnic zing, sexual tension and local flavors to make “Bombay Talkie" a fabulous read.

Fishboy - MARK RICHARD
For a start, Mark Richard's best selling Fishboy sounds a tad boring especially its tedious long beginning that stretches the limits. Your patience is soon rewarded as it slowly turns into a dazzling roller coaster with enough imaginative twists and turns that keeps you spellbound to the finish. With bizarre characters like the lead fish boy, fish wives, seafarers, nuclear submarines and beautiful mermaids for company, Richard builds a intoxicating fantasy that is surreal, dark and good fun to read. P.S: Here's a small nugget you may love to know - Mark Richard was screenwriter for 2008's American war drama film "Stop Loss" directed by Kimberly Peirce (Boys Don't Cry) which starred Ryan Phillippe and Joseph Gordon-Levitt

Sleepeasy - TM WRIGHT
The premise is simple. Hero Harry Briggs is searching for his pregnant wife who is suddenly missing but is rumored to be happy and living in Silver lake. The surprise however, is that Harry Briggs is a dead man and Silver lake is a state of mind. With such a noirish ghostliness attached to it, Wright has enough fun as Harry frantically searches for his wife with just a revolver trench coat in a world that obeys no laws except the supernatural and nothing is perfect. A waking dream of a novel, Sleepeasy may not be your ideal horror read, but it sure is a delight. From the award winning author of the internationally best selling " A Manhattan Ghost Story" which is soon to be made into a movie.

Kolynsky Heights - LIONEL DAVIDSON
With shades of Clive Cussler's "Vixen 03 ", critically acclaimed Davidson's Kolynsky Heights is one of those old fashioned, spy themed, fine action adventures that you don't read these days. With an serpentine plot that stretches from a secret lab in ice cold Siberia to Oxford and a hero as suave as James Bond, the no-nonsense narrative motors along nicely at overdrive speed and regular bursts of neat action. Keeps you pre-occupied till its shattering and satisfying climax. If you like this, I would recommend the award winning and equally popular "A Long Way to Shiloh" and "The Chelsea Murders"

Slowness - MILAN KUNDERA
The author of the best selling "The Unbearable Lightness of Being", Milan Kundera has been one of the most fascinating writers of our century and with Slowness, he proved he was indeed one of the very best. His critics may not really agree but Slowness, is actually a fast paced philosophical tale of loss and human tragedy. Heavy stuff about two centuries linked together by the theme of seduction, about nobles and sex put across with a delightful lightness and grace, which only Kundera can muster. It's an altogether different question about the title, which of course, is ironic.

Miss Smilla's Feeling For Snow - PETER HOEG
A delightful and superb novel that made Hoeg, a house hold name in literary circles. And why not indeed. A moody murder thriller, steeped in an cold Nordic interior, Hoeg builds the tempo sublimely and pulls it off efficiently with his elegant prose and wonderfull characterizations. For some, it may be a bit modish, privy to contemporary crime fiction and a predictable plot may too obviously haunt its pages, but this is a splendid novel that sets the mind dreaming and these days, too few books do that. In 1997, this book was also made into a pleasant little movie - "Smilla's Sense of Snow" starring Julia Ormond, Gabriel Byrne, Robert Loggia, Jim Broadbent, Richard Harris and Tom Wilkinson.

Tuesday, August 3, 2010

13 Great War Movies That You Probably Never Saw


Probably The Greatest War Movies of All Time

Its been quite some time since I wrote a post on Cinema and what better Cinema than exhilarating war movies. Instead of the usual Platoon, Apocalypse Now, Killing Fields or Saving Private Ryan types, what you'll find here is a refined list of select war movies outside the media and public radar that are truly great and one of the finest in all war filmdom. Believe the WebSnacker, they are all good as gold. 

The Big Red One (Sam Fuller/1980) – Ranked one of the 500 greatest movies of all time by Empire magazine, this is a tough, unsentimental World War II film from ace drama veteran Sam Fuller apparently based on his own experiences. Lee Marvin is excellent as the battle-weary commander of a squad of young soldiers, leading them through a variety of wartime situations – some funny, some frightening, some sad – all quite powerful and moving. With Mark Hamill (Star Wars), Robert Carradine, Kelly Ward and Bobby DiCiccio. An extended version - The Big Red One: The Reconstruction was released at the 2004 Cannes Film Festival. 


The Battle of Algiers (Gilo Pontecorvo/1965) – Not screened in France for 5 years after its release, this landmark guerrilla warfare movie is a fine example of Italian neorealism cinema with a great score by Ennio Morricone. Based on actual events of the Algerian war (1954-62), this is an intelligent, restrained and straight forward account of the Algerian revolt, which nearly toppled the entire French government and resulted in an almost successful assassination plot against President DeGaulle. This fascinating Italian-Algerian production was filmed in black and white pseudo-documentary newsreel style presenting the landmark revolt from the point-of-view of those involved in the fighting – an angle rarely seen elsewhere. In French starring Jean Martin and Saadi Yacef.


The Boys in Company C (Sidney J Furie/1978) – 1978 was the year of Vietnam War films and this glossy but tough little, Golden Globe nominated movie directed by Sidney J. Furie (Ipcress File, Entity) went largely overlooked by the American public. The main appeal is a good, solid cast of then unknowns including Stan Shaw (so memorable in the Great Santini), R. Lee Ermey (Full Metal Jacket) and Andrew Stevens. A group of young marines move from the torture of boot camp to the terror of war in a way that is funny, action-packed and at times, harrowing. The Boys in Company C is the first in Furie's Vietnam War trilogy, followed by 2001's Under Heavy Fire and 2006's The Veteran, both starring with Casper Van Dien (Starship Troopers) 


Cross Of Iron (Sam Peckinpah/1977) – Peckinpah’s (Wild Bunch, Straw Dogs) idea of a WWII film was to focus on the German Army on the Russian front thereby blurring any ‘who are the good guys’ distinctions. His antagonists are an aristocratic monster of a captain (Maxmilian Schell) who wants the titular medal at whatever cost and the tough but compassionate sergeant (a very, effective James Coburn) who simply wants to his boys alive. Long and episodic, the highlights are the battle scenes, which are frequent, brutal and extremely disorienting – like real combat itself. Based on the book - Willing Flesh by Willi Heinrich With James Mason and David Warner.


49th Parallel (Michael Powell/1941)- Not exactly a full blown war movie but undoubtedly the greatest WWII-era thriller, beating out all of Hitchcock’s and Fritz Lang’s best efforts at the game of suspense. Laurence Olivier, Leslie Howard and Raymond Massey are among the stars but the real attraction is a tense, convincing script (which deservedly received an Oscar) and superb direction. When a Nazi U-boat is sunk in Hudson Bay, Canada; 6 survivors try and make their way to freedom in the still—neutral United States. Photography by Frederick Young (Lawrence of Arabia) and the film's editor was a then little-known David Lean (A Passage to India).


Go Tell The Spartans (Ted Post/1978) – Who would have thought the best picture about the Vietnam before Platoon would be a small-scale film from a journeyman director. Burt Lancaster heads a group of military advisers who realizes he’s involved in a no-win situation in this cult anti-war classic based on Daniel Ford's 1967 novel - Incident at Muc Wa. The constant refrain of “it’s their war” and the 1964 setting lend the film both poignancy and bitterness. Unlike typical Hollywood action war dramas, you know there is no happy ending, not then, not now. The final images of an American walking through a cemetery saying “I’m going home” are all too appropriate. 


Hamburger Hill (John Irvin/1987) – A brilliant retelling of the Battle of Hamburger Hill chronicling the U.S. Army's assault on a heavily fortified but strategically insignificant hill during the Vietnam War. Starring Dylan McDermott (his debut), Courtney B Vance, Don Cheadle, Steven Weber and Michael Boatman, this intense movie beautifully captures the utter pointlessness of warfare. Directed by John Irvin (Dogs of War, Raw Deal) and written by James Carabatsos (Heartbreak Ridge).



 

Kanal (Andrej Wajda/1956) – Polish resistance fighters flee the Nazis by struggling through the labyrinth of Warsaw’s sewers in this tense, hellish vision of futility. Winner of the special jury prize at the 1957 Cannes Film festival, Oscar winner Andrej Wajda’s masterpiece is one of those rare films that hit you in the gut, the heart and the brain. Kanał was the second film in Wajda's War trilogy, preceded by the superb A Generation and followed by Ashes and Diamonds. In Polish.




 

Kelly’s Heroes (Brian Hutton/1970) – A ragtag group of soldiers headed by Clint Eastwood shangai some tanks and head behind enemy lines in search of a cache of German gold. Clint Eastwood squints and scowls in the lead at hammy co-stars Donald Sutherland (as a doped-up, laid back hippie in uniform), Telly Savalas and Don Rickles. A big-budget, wide screen version of WWII sitcoms like Hogan’s Heroes, this is popcorn action with slapdash charm directed by Brian G.Hutton, the same guy who gave us the 1968 hit - Where Eagles Dare also starring Clint Eastwood and Richard Burton. Harry Dean Stanton also co-stars. You can hear the "Tiger Tank" from the movie's soundtrack by Lalo Schifrin in Quentin Tarantino's Inglourious Basterds.

Pork Chop Hill (Lewis Milestone/1959) – Very similar to Hamburger Hill, a Korean anti-war picture based on the best selling book by SLA Marshall and directed by the Academy award winning Lewis Milestone (All Quiet on the Western Front, Ocean's 11, Of Mice and Men, Mutiny on the Bounty). A brutal film that almost entirely centers on an infantry assault on the eponymous hill depicting the bitter struggle for supremacy between the US Army and the Communist (Chinese and Korean) forces at the end of the Korean War. This film adds the element of psychology to the standard battle scenes – the US men are not only bombarded by Korean artillery but also by loudspeakers positioned on the hill. Gregory Peck (Omen) heads a tough, realistic cast that includes Rip Torn, George Peppard, Martin Landau and Robert Blake.

Tora! Tora! Tora! (Richard Fleischer/Toshiro Masuda/Kinji fakasaku/1970) – This is a war action thriller starring Jason Robards, Joseph Cotton and Martin Balsam guaranteed to keep you on the edge of your seat. Date: December, 1941, Place: Pearl Harbor, Hawaii. The U.S. naval base is about to be bombed and we know it. But the directors weave the story and action so expertly, continuously building tension that we’re captive to its spell of intrigue and bomb fire. A massive hit in Japan but a flop in the US. Oscar Winner for Best Special Effects with 4 more nominations. This is what Michael Bay's Pearl Harbor should have really been. 


The Train (John Frankenheimer/1964) – A visually stunning, thought-provoking and ultimately heartbreaking thriller based on the book - Le Front De L'Art by Rose Valland . With the Third Reich crumbling, Col. Von Waldheim (Paul Scofield) is ordered to gather the spoils of a French art museum and ship them by (you guessed it) a train to Germany. The Resistance finds out and begs railway inspector Labiche (Burt Lancaster) to intercept the train and get the paintings back. But will he risk the lives of his men for the sake of preserving art – is any masterpiece worth more than a human life? The action scenes are spectacular and the performances are strong. A great film.


Zulu (Cy Endfield/1964) – Forget that Michael Caine made his first starring appearance in this thriller, forget that Stanley Baker gave an excellent portrayal as a Royal Engineers officer faced with a battle against titanic odds – this is a must see for its insights into contemporary South Africa. This brilliant account of the Battle of Roarke’s Drift, in which a few dozen poorly armed British soldiers defended a tiny mission against an army of 4000 determined Zulu warriors, has tension that builds slowly and inexorably during the first hour. Director Endfield sets up a situation in which there are no heroes or saints and even the noblest of action are ambiguous. A provocative historical thriller that inspired the equally good 1979 prequel - Zulu Dawn starring Peter O’Toole and Burt Lancaster. 


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