Showing posts with label Retro. Show all posts
Showing posts with label Retro. Show all posts
Wednesday, April 1, 2020
Dead Man 1995 - Movie Review
Revisiting the underrated surreal Western
Jim Jarmusch called his 1995 Johnny Depp starrer ”Dead Man” a psychedelic western. Believe the famed independent filmmaker, ’Dead Man’ is indeed a brooding post-modern western or as a film critic, Jonathan Rosenbaum called it, a trippy authentic ”Acid Western”.
Johnny Depp shines in this hypnotic movie that seems even more trippy to watch it again. Billy Bob Thornton, Iggy Pop, Alfred Molina, Crispin Glover, John Hurt, Lance Henriksen, Gabriel Byrne, Gary Farmer and Robert Mitchum add to the star quality while Neil Young amplifies the surreal weirdness with his guitar-driven soundtrack. Even though this strange movie flopped on release, it divided critics and has now become a cult Western.
I personally like it because of Johnny Depp, the character of Nobody, and William Blake's poetry:
'Oh why was I born with a different face
Why was I not born like the rest of my race?
When I look, each one starts
When I speak I offend
Then I'm silent and passive
and lose every friend.'
Watch it. The film is also achingly beautifully shot by acclaimed Dutch cinematographer Robby Müller in crisp black and white, which adds to the minimalist gritty feel.
Monday, July 7, 2014
The Great Gatsby (2013)
JohnnyTwoToes is pleasantly surprised with this big-budget remake!
The Great Gatsby is really a timeless story. Whether in the early decades of the twentieth century or in the early decades of twenty-first century, it is a story of how money and power alters one's vision of reality. As a fan of the 1974 version with Robert Redford in the title role, I was kind of dreading Baz Luhrmann's vision of F.Scott Fitzgerald's novel. I did not think they could remake this without trashing the story with modern visuals (something Luhrmann is known for) and making the story hip to sell of few tickets instead of just holding to Fitzgerald's original intent. Let's face Luhrmann's films are either loved or hated. Still, as remakes go the new version that is now out on video is actually a pretty good one. I was pleasantly surprised.
Leonardo DiCaprio is Jay Gatsby, a flamboyantly wealthy young man that does not have much of a past to speak of but has taken up residency next to a World War I vet, Nick Carraway on Long Island, New York. Overlooking the vast water that separates the island from the mainland, Nick has settled into a modest home and has a modest job as a banker. He is quiet, a bit shy and seeks the quieter life. That is until Jay Gatsby buys the mansion next door. Gatsby with his extravagant lifestyle, peaks Carraway's curiosity and the two men become good friends. Nick seems to be entranced by the lavish parties and all of the opulence that Gatsby has but for Gatsby it is a means to an end. Her name is Daisy (Carey Mulligan). Gatsby has set his sights on Daisy and Daisy seems smitten with Gatsby. But Daisy is married to a boorish lout, named Tom. Tom is a schmuck, no doubt. But is he that dumb to not suspect what is going on with his wife and Gatsby? Nick, at first, is nothing more than an observer of the behaviors of these strange people. As the story progresses, Gatsby's infatuation with Daisy becomes almost too obvious and the conflict begins to head towards a tragic end. Nick by film's end. is as emotionally involved as Gatsby. The bigger they come the harder they fall. Gatsby falls hard.
The Great Gatsby is not a perfect film, but Luhrmann has made an interesting one where the characters all seem to have a lot more going on in their minds than they say and that is especially true of Tom, played beautifully by Joel Edgerton. He is crude, callous and one begins to wonder what Daisy ever saw in him. How can she not fall in love with the handsome and dashing Jay Gatsby? Luhrmann and Craig Pearce's script dances around each character's thoughts that are never expressed but, yet I began to see by their actions what was going on in their minds. The film is viewed primarily through Nick's eyes and he has come back from the war seeking the quiet life but when he meets Gatsby, a whole new world opens up to him and Nick starts to think that, maybe, this could be him one day. The right connections....one thing leads to another...
The casting of this film is flawless. Leonard DiCaprio is on a winning streak and he has distinguished himself as a Hollywood legend in the making. His performance as Gatsby is terrific as he balances his money and power with madness and a desire to possess Daisy at all costs. Carey Mulligan is simply radiant as Daisy. She is a frail thing that can't seem to make up her mind as to what she wants. Toby Maguire is perfect as Nick. He starts out in the film as a mousy kind of a fellow but invests all of his emotion into the goings on at the Gatsby estate. He invests too much. The remainder of the cast is rock solid with Adeliade Clemens as Catherine, Daisy's dearest friend, Isla Fisher is perfect as the emotionally wrecked Myrtle Wilson and Jason Clarke is her brooding gas station attendant husband, George.
The Great Gatsby is stuffed with wall to wall production, elaborately produced and full of lush colors, lavish costumes and sets. This is Luhrmann's strength but it is not the only thing going on. The acting is flawless and the script is smart. It lets the audience make up their own minds as to how the characters react and I have to say that is not something you see in films today. Today, films seem to want to describe EVERYTHING and nothing is required of the viewer. The only problem I had with this version is that is tends to sputter in spots. I also felt the modern day music that seems to be peppered throughout the film was a little garish. The score by Craig Armstrong is terrific and it could have been more prevalent throughout the film. The score is worth purchasing on its own and the song, "Young and Beautiful" is heart wrenching and is also worth purchasing as a single download. Still, The Great Gatsby is a solid film, well produced, acted, written and directed. This remake is a pleasant surprise.
The Great Gatsby-*** out of 4
Friday, January 3, 2014
Friday Flashback - Hits from the 80s & 90s - Part 1
Forgotten Gems from the 80s and 90s

Its Friday and the first post for 2014. What better way than listening to some great forgotten pop rock tracks from the 80s and 90s featuring Bruce Cockburn, Del Amitri, Big Dish, Geneva and more!
This is also a fulfillment of a long pending promise (to many reader requests) to repost all deleted music blog posts. Its a start of sorts but this is a promise the Websnacker intends to completely fulfill! Now, lets get back to the music..
Bruce Cockburn - If I Had a Rocket Launcher (4:59)
Big Dish - Miss America (3:56)
Geneva - If You Have To Go (4:07)
Jimmy Davis & Junction - Kick The Wall (3:38)
Eddie and the Tide - One in a Million (4:07)
Eight Seconds - Kiss You (When It's Dangerous) (4:05)
La Marca - Hold on Blue Eyes (The Wraith Soundtrack) (4:01)
Del Amitri - Buttons On My Clothes (4:05)
Wednesday, November 13, 2013
Shock 'Em Dead (1991)
Cheesy B Horror flick that warrants a watch!

The funny thing is, she does her job well! At least compared to the rest of the actors, most of which are some of the silliest you'll ever see. So if the movie is so bad, why do we have it here? Well come on now! Everyone likes a good "B" movie, and this one is no exception.
Basically, this music nerd (Stephen Quadros) decides to make a deal with the devil in order to become the biggest rock star in the world. Unfortunately, he finds out what the "catch" is, and it isn't pleasing. Although it is for some reason considered a horror movie, you'll find it to be a great comedy. Funny original songs such as 'I'm In Love With A Slut' will make you laugh, and the special effects must do the same. If you like band-related movies, 90's flicks, or low-budget films, this is something you'll want to hunt down. You can find the official 20th Anniversary Edition DVD here
And if you liked Traci Lords, you might want to see her in her recent appearance in the 2012 surreal black horror/comedy - Excision (2012) which also stars John Walters, Malcolm McDowell and Ray Wise.
Saturday, September 7, 2013
Pulse (1988)
A wicked little Horror classic from the 80s

The story begins in an unnamed suburban town where a strange, electronic entity inhabits the inner workings of your average American family's home, resulting in deadly situations. Why this occurs is not explained nor is the source of the strange life form revealed.
The story is essentially told through the eyes of 10 year old David (played by Joey Lawrence from Gimme A Break TV series fame), the eldest of the two boys in the household. Cliff De Young and Roxanne Hart play his parents, Bill and Ellen.
At first, the entity remains in the background as it, in a sense, explores the home and produces harmless poltergeist-like activities which are essentially ignored by the innocent family. Soon David becomes aware of its presence as it slowly becomes more malevolent.
The creepy, unnamed old man that lives across the street (Charles Tyner) offers cryptic clues and warnings to David as he seems to have special insights into what is going on. He, for example, lives in a home that has no electrical service and is perfectly content to use kerosene lamps and the like for his daily existence as he ominously states to David, "You gotta pull the damn plug, boy!"
At first David fails to heed the old man's warnings but later comes to realize that he and his family are in extreme jeopardy as he narrowly escapes being asphyxiated in the family's garage and his mother is horribly scalded while taking a shower. Soon, all Hell breaks loose as their idyllic home becomes a gauntlet of electrical devices on a rampage (as silly as it sounds, believe me) and David and his father struggle to survive the wrath of the electronic entity.
One aspect of the film that needs mention is how the special effects were executed. Though they are simple by design, the close-ups and inner workings of the devices that the entity 'inhabits' is fascinating to watch and when the entity is finally thwarted by David's father, its demise is oddly cathartic to watch.
You will enjoy this film because it works on many levels. The acting is quite good and the characters motivation's are believable. So, try to get a hold of on this minor classic, cook some popcorn and enjoy (but don't forget to unplug the TV set before you go to bed).
Labels:
80s,
Cinema,
Cult,
Horror,
Movie,
Movie Reviews,
Retro,
Science Fiction
Wednesday, September 4, 2013
Branford Marsalis Trio - The Dark Keys
A Jazz Lovers Delight!
Doing a Jazz review is as subjective as any musical art, and what you dig may not be what your friend would like. That said, here is one classic jazz album from the 90s' – that set new standards for saxophone trio type post 50s "cool" jazz - The Branford Marsalis Trio and their album The Dark Keys
(Columbia Records, 1996).
That the eldest son of the famous Marsalis jazz clan chose to forgo self-promotion and record an album of standards with his father (Loved Ones) was a great thing. He took the time to re-hone his jazz chops in a relatively safe setting after his rather limiting stint as musical director of the Tonight Show. His 1996 release did sound like the venture paid off.
Branford returned with drumming mate Jeff Watts and bassist Reginald Veal, again eschewing the piano as he did on two previous releases, The Beautyful Ones Are Not Yet Born and Bloomington. Never one to adhere to the stifling stylistic parameters set forth by his brother Wynton, Branford again produced a work of supreme power and beauty. The driving and slashing drum work of Watts, combined with the rock-steady rhythmic time and drive of Veal, provides the necessary framework for Branford to explore the pieces on the album as fully as possible.
Hard-driving modal excursions abound for both tenor and soprano, combined with nice mid-tempo and ballad features, pieces that reject the notion of maudlin no matter what notes he plays (in comparison to the absolutely atrocious version of "Maria" he recorded with his father). Joe Lovano and Kenny Garrett both make cameo appearances. Lovano's breathy, hard blowing provides the perfect counterpoint to Marsalis' rounder, more classic sound on "Sentinel". Garrett's alto is placed ever so precisely alongside Marsalis' soprano, with both men blowing heavily throughout "Judas Iscariot", the more staccato approach of Garrett intertwining beautifully with Marsalis' more legato phrasing.
This record proves that one does not have to overblow to be powerful. If you are a fan of Branford Marsalis, this classic record is a masterpiece that needs to be in your collection.
Monday, July 22, 2013
Best Hits of 1977
Nostalgic Radio-Friendly Hit Songs from 1977
1977 was a notable year in Musicdom. It was in February this year that the rock foursome comprising of Glenn Frey, Don Henley, Bernie Leadon and Randy Meisner known as the Eagles released their momentous Grammy winning single "Hotel California", the title song from their hit album of the same name!
It was also the same year, when Donna Summer sang the super hit track "I Feel Love" considered by Rolling Stone mag as one of 'The 500 Greatest Songs of All Time' , Paul McCartney's band Wings became popular with the Christmas oriented international best seller "Mull of Kintyre" and Boney M, the Euro disco band gave the world "Ma Baker".
1977 also produced more such awesome gems but did not achieve the super popularity they also deserved! I could go and on and write an entire 'Top 100 songs from 1977' for you. Instead, I give you the 'Websnacker fav Top 8 Songs from 1977' including tracks from the Floridian disco group KC and the Sunshine Band, the funk-soul band Commodores, the pop rock duo of Daryl Hall and John Oates and more!
1. Shake Your Booty - KC and The Sunshine Band
2. Easy - Commodores
3. Year of the Cat - Al Stewart
4. It's So Easy - Linda Ronstadt
5. Couldn't Get It Right - Climax Blues Band
6. Rich Girl - Hall & Oates
7. Shannon - Henry Gross
8. All by Myself - Eric Carmen
Click HERE to hear these great songs on 8tracks or just click the artwork below!
Monday, July 8, 2013
The Eyes of Laura Mars (1978)
Not your usual movie review
The 70s Horror Suspense Thriller Hyperdrama directed by the late Irvin Kershner, (the guy who also directed Star Wars Episode V: The Empire Strikes Back, Never Say Never Again and Robocop 2)
Starring the premier and overfamous Hyper-dramatic (yeah) Actress of the 1970s - FAYE DUNAWAY
"I'm (SIGH!) alright." MURDER, SUSPENSE and A 70s SOUNDTRACK
FROM AN ACTUAL 70s MOVIE! RETRO-WOW!
See perverted Raul Julia leaping on women, Tommy Lee Jones say: "I LOVE you. I LOVE you."too funny to be sexy but good try, Tommy!
Retro Commercials in inopportune spots, "Plop Plop Fiz Fiz..."
An over-long, misleading plot trail 70s style! "Gee, he's not the killer after all.
No wonder the movie didn't end 15 minutes ago!" (can't believe John Carpenter wrote this)
And a bad case of shamelessly letting your girlfriend,
Barbra Streisand,
sing the tortured and irrelevant theme song.
"WHAAAAAAAAT is it about You"
You go, Jon Peters (the producer)!
A MURDER SUSPENSE DRAMA WITH LOTS OF LAUGHS
JADED ARTIST THEMES and
NO SEX SCENES,
NO VIOLENCE
(I saw more violence from Bette Davis
in Agatha Christie's Murder On The Nile) but please still watch it - its considered the first Hollywood (American) movie to try the Giallo genre and was also a big box office hit!
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